Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
Folio from the Mayer van den Bergh Breviary

ID: 64137

unknow artist Folio from the Mayer van den Bergh Breviary
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unknow artist Folio from the Mayer van den Bergh Breviary


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unknow artist

  Related Paintings of unknow artist :. | studio | Still life floral, all kinds of reality flowers oil painting 247 | Cone Audhumbla lick underline Cage from rimfroststenarna | norskt landsap i morgorgonbelysning | Medusa s raft |
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Piero di Cosimo
1462-1521 Italian Piero di Cosimo Galleries Italian painter and draughtsman. Tax declarations made by Piero di Cosimo's father suggest that the artist was born in either 1461 or 1462. According to the first, he was eight years old in 1469, while a catasto (land registry declaration) of 1480 gives his age as 18. A document of 1457 establishes that his father, Lorenzo di Piero d'Antonio, was a maker of small tools (succhiellinaio) rather than a goldsmith, as Vasari claimed. By 1480 Piero appears no longer to have been living at the family house in the Via della Scala, Florence, but was an unsalaried apprentice or workshop assistant to Cosimo Rosselli, from whom he received room and board and eventually took the name of Piero di Cosimo.
Theodor Horschelt
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Miel, Jan
Dutch Baroque Era Painter, ca.1599-1664 Flemish painter, active in Italy. Miel must have arrived in Rome in the early 1630s; he immediately came under the influence of Pieter van Laer (il Bamboccio) and the BAMBOCCIANTI. His earliest paintings of bambocciate (low-life scenes) are the Bowls Players (1633; Paris, Louvre) and its companion piece The Cobbler (Besan?on, Mus. B.-A. & Arch?ol.). Shortly after his arrival in Rome, Miel joined the Schildersbent, a confraternity of Netherlandish artists, and was given the nickname 'Bieco' ('threatening look'). His presence in Rome is documented from 1636 to 1658, when he moved to Turin and entered the service of Charles-Emanuel II, Duke of Savoy. Other early paintings that can be attributed to the 1630s include Halt at the Inn (Marseille, Mus. B.-A.) and Hunters' Rest (Warsaw, N. Mus.). Both are reworkings, in their subject-matter and composition, of contemporary paintings by van Laer






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